Bio
Native to Orlando,Florida Luiji was destined to be musically inclined, by way of his father Dallas Earl Daniels who had his own band and also played an array of instruments. Luiji grew up listening to different types of music like jazz,pop,classical and hip hop to name a few.Getting older,he caught a glimpse of wut seemed to be a device for the hearing impaired, being that it had no speakers attached,only earphones worn by an unknown person. Sometime later, he was privy to a listening session,and came to realize it was a music making tool otherwise known as a \\\'\\\'Beat Machine\\\'\\\'.Intrigued by what he was hearing and the sounds being created ,Luiji went and purchased his own beat machine.doing all he could with this new found piece of equipment, he soon outgrew it. Moving up in ranks with experience and different machines,Luiji stumbled upon The famous Fantom X8. Incredible yet pricey, the Fantom far exceeded his price range. Compelled was he to visit Guitar Center everyday tinkering,pecking and learning this \\\'\\\'Weapon OF Music Construction\\\'\\\' he did just that with no problem or reprisal by staff. Later still,a good \\\"freind\\\" bought the machine for Luiji but was soon taken back for unknown reasons.Being left with nthng but a drive to move foward, he refused to stop there. Luiji caught wind of the well known FL Studio program. Transitioning from hardware to software was effortless for the nifty rapper/producer. Starting out with the basic sounds this program had to offer proved to be reminiscent of the early beat machines he had perfected.Upgrading was his only option,and he expanded his library with heavy hitter plugins such as Omnisphere Spectrasonics,Kontakt,Nexus 2,and many more.Equipped with over two terabytes of sounds and the ability to project a sight with sound,Luiji hopes to one day become a sought after producer among other talented producers.
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Recent Tracks |
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Track 28 No name [3:12] | 3:12 | |
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Track 27 No name [2:58] | 2:58 | |
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Track 26 No name [3:10] | 3:10 | |
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Track 25 No name [2:57] | 2:57 | |
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Track 24 No name [4:38] | 4:38 |
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